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    • Falling in Love with Janelle Monáe

      by Dr. Chanda Prescod-Weinstein | 09 Jun 2010

      I’ve found Janelle Monáe in my heart, and I want to shout about it! Let me tell you about the new musical love of my life. But before I try to describe this phenom with mere words, you should meet her via the spectacular video for the lovely and enduring song “Tightrope”:

      Are you ready to get up outta your seat and break it down?!? There are so many things to be inspired by here: her dancing, her tuxedo, her fresh saddle shoes, her delicious voice, her fabulous brown eyes, the fantastic live backing band and dancers, the righteous beats.

      A couple of weeks ago, when Monáe’s album, The ArchAndroid came out, I spent one morning reading all of the reviews being counted at MetaCritic and counting the number of reviews that mentioned Michael Jackson somewhere in them. Last count was four. Usually, I think such comparisons are obnoxious. That’s like comparing someone to G-d as far as I am concerned. But in this case, I think they were fair. I was looking for them as a listener and was pleased when I found them.

      From the sci-fi narrative about AI/robot Cindi Mayweather (the main character in her cinematic LPs) to her incredible ability to wander through two different styles of rap in one song (oh hell yes) while singing in a raw punk voice on another, all the while using vocal chords that produce the sweetest soul sound since Beyoncé, Janelle Monáe, who is 30x the complete musician that Beyoncé will ever be, signals the arrival of a new, stunning musical talent, née force. As far as I am concerned, the last time that happened, Michael Jackson had just introduced himself as the future, singular King of Pop.

      And like the King of Pop, Monáe has become something like church for me. Her lyrics are empowering. Whether I’m high or low, I got to tip on the tightrope! I have to bring wings to the weak and bring grace to the strong! And I can do it while dancing myself into a positive frenzy. Yes Yes Yes!!! I can wake up every morning and listen to that, yes I can!

      In fact, I was so busy bopping my head to her music while writing my dissertation and while driving to physiotherapy, so busy getting my boyfriend to dance with me and learning how to “tip on the tightrope” that I forgot to notice that The ArchAndroid debuted on the Billboard 200 at #17, below Kei$ha, Justin Bieber and a host of other crap. What gives?!? How could Kei$ha sell more? Janelle is sexier AND keeps her clothing on!!!

      In the end, I was inspired to write this morning because yesterday Racialicious linked to a few blog posts about why this phenomenal, phenomenal artist isn’t getting more buzz/airplay. Jezebel posited that it was because we prefer to waste our time on bad girls. But one of their commenters understood what was going on when ze said, “She’s too weird for urban radio, and just black enough for alternative radio to ignore her.”

      And that’s just a damn shame. Janelle Monáe is making beautiful, politically conscious, uplifting, booty-shaking music, and everyone who doesn’t have a chance to hear it is being punished. The Root highlights this segregation in radio airplay and discusses how Monáe might break through that glass ceiling. It’s well worth the read, but I think it left out a crucial part of the discussion: we can go on and on about how crossover artists have a hard time, but it’s not just any crossover artists. Like the Jezebel commenter noted, it’s Black crossover artists. I don’t remember Eminem and the Beastie Boys having a hard time getting played on both Power 106 AND KROQ when I was a kid in Los Angeles.

      In the meantime, since Monáe is the musical equivalent of a force of nature, I’m not too worried about her. As she said in her liner notes (a quote that will appear in my dissertation dedications!):

      Dedicated to the “THRIVALS”: a generation not bound by many of the old limitations that previous black generations were, nor occupied with race as a potential barrier to their accomplishments (words by Nat Irvin II).

      I don’t think she intends to be toppled by racism anytime soon. Of course, she will be happier, and so will you, if you go buy her album and enjoy it.



      Dr. Chanda Prescod-Weinstein is a NASA Postdoctoral Program Fellow in the Observational Cosmology Lab at Goddard Space Flight Center. In other words, she is now prey of a government agency hell bent on getting pretty pictures of the Universe and/or building the USS Enterprise. Fortunately, she's still a trouble maker and blogs sometimes at Disordered Cosmos.

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      • ary

        spot on! she's makin moves just like a force does. THRIVE!

        09 Jun 2010 08:06 am
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        • Levi

          Yes, Ms. Monae is kicking ass and taking names. I don't think you need to worry, though; she's building buzz and reputation and critical accolades in just the right way, and will soon lay waste to the Ke$has and Biebers of the world. Can't wait to get my hands on the record!

          15 Jun 2010 08:06 am
          Reply
          • a.m.

            I loooooooooooooooooooooooove this woman! She amazes and inspires me sooooo much! Incredible artist with extraordinary talent and she's drop-dead gorgeous!

            16 Jun 2010 07:06 am
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