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    • Fragile Camera

      by Rosey Lakos | 01 Sep 2010

      Wedged in between wooden ammo crates, fingers wrapped around o.d. metal, boots dangle over the back of the jeep as blonde dry grass and dust hardened road pass underneath.  My faded green musette bag hangs heavy from one shoulder with the words fragile camera scrawled across each side.





      A day spent on-set for the making of One Way Home composing images.  I chose to carry only my film camera with me .  This simple decision of limiting my materials created a distinct framework for me to work within.  There are only so many hours of light and this many frames of  film to work with …
      I reluctantly get out of the WWII jeep at the end of the day brimming with the excitement of the undeveloped film in my pockets and perfectly consumed by the images I have just made.

      Follow this link to view all the images from this shoot:On-set photographs ONE WAY HOME



      Rosey Lakos dwells in the redwood forest in a teeny tiny little plywood cabin with her husband (DJ Tom LG). She is a maker of images and indefinitely consumed by the art and craft of the photographic medium. She has recently received her BFA from CCA (CA College of the Arts) and is currently renovating a 1954 Silver Streak trailer into her workspace. See more of her work at her website.

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      • 2007-2011

        After four years, Is Greater Than has ceased publishing. Thank you for reading and your support over the years.

        View the full archives, or browse by month, category or search below. View a full list of our contributors with links to their archive pages on the about page.

        Keep up with publisher Paul M. Davis on his personal site and his blog.

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      • COLUMNS

        • Art Can't Hurt You by Laura M. Browning
        • Moony Habitations by Leilani Clark
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        • Last Evenings on Earth by Michael Zapata

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