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      • Vacant Impressions

        30 Nov 2010 by Rosey Lakos

        BY ROSEY LAKOS: On embracing the fleeting photographic moments that emerge

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      • Submit to Is Greater Than’s third semi-annual X > Y year-end equation roundup

        29 Nov 2010 by Paul M Davis

        In 2007 and 2008, we did a year-end roundup using the following format:

        X event/news item/cultural artifact/personal experience was > Y event/news item/cultural artifact/personal experience
        (short explanation)

        Last year we lapsed, but not this one. Anyone with the inclination should submit an equation–it can be something serious or funny, whatever you want to do with it. Keep your explanatory blurb short—three sentences or less. Feel free to submit multiple equations, but if there’s a ton of submissions I may have to pick one per person.

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      • Tradeoffs

        26 Nov 2010 by Leland Cheuk

        FICTION BY LELAND CHEUK: “If Dave switches from an extra large coffee to a small one daily, he’ll save roughly $365 this year, as this year is not a leap year. With $365 dollars, he can almost buy the new Android OS touchscreen phone he wants.”

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      • Orange Skillet Cake

        23 Nov 2010 by Janina A. Larenas

        SIMPLICITIES BY JANINA LARENAS: The skillet or upside down cake is a perfect alternative to traditional Thanksgiving fare

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      • Reading Room: Misleading Metaphors, Imaginary Languages, and the Baron of Bakersfield

        22 Nov 2010 by Paul M Davis

        For the short holiday week, an early Reading Room:

        Patti Smith talks books with Jonathan Lethem. In other Lethem news, he’s got a new book about John Carpenter’s over-the-top political allegory They Live.

        “What are we to make of the brain processing literal and metaphorical versions of a concept in the same brain region? Or that our neural circuitry doesn’t cleanly differentiate between the real and the symbolic? What are the consequences of the fact that evolution is a tinkerer and not an inventor, and has duct-taped metaphors and symbols to whichever pre-existing brain areas provided the closest fit?” Do metaphors stymie understanding?

        The human race had a good run, before flying squid were discovered.

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      • Early and Often: Is Greater Than Reader Survey

        21 Nov 2010 by Paul M Davis

        Please participate in this (short) reader survey! It’d be an enormous help to us as we plan the site’s future. RSS and mobile readers can access the survey here.

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      • Doubling Down With Four Loko

        19 Nov 2010 by Brian Lauvray

        BRIAN LAUVRAY braves an evening with history’s greatest monster, a case of Four Loko

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      • Insanity Meets Fashion: The Twentyten

        18 Nov 2010 by Jeanette Wyche

        BY JEANETTE WYCHE: A trio of designers who turned their college projects into a thriving fashion label.

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      • Reading Room: Steampunk as Totalitarianism, Online Racism, Trembling Giants and Secret Histories

        17 Nov 2010 by Paul M Davis

        Historical footnote still bears grudge against marginally more relevant legacy indie-rock outfit.

        David Mitchell auctions off a character name in a future novel to benefit autism research.

        Does the Internet enable casual racism and classism?

        “The Trembling Giant, or Pando, is a enormous grove of quaking aspens that takes the “forest as a single organism” metaphor and literalizes it: the grove really is a single organism. Each of the approximately 47,000 or so trees in the grove are genetically identical and all the trees share a single root system.” Pando, the Trembling Giant.

        Jonathan Safran Foer constructs a new novel by redacting items from an old book. Matt Wood argues that it’s not all rear-guard print book nostalgia.

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      • Records By Their Covers: Why So Serious?

        16 Nov 2010 by Levi Fuller

        BY LEVI FULLER: A look at musicians who make album covers that demand to be taken seriously. And fail.

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      • Downsizing

        12 Nov 2010 by Chloe Zola

        FICTION BY CHLOE ZOLA: “He wakes up. Slowly. Like an elderly robot with a defective switchboard…”

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      • The Green Zone: Kung Fu and WMD’s

        11 Nov 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R.JOHN XERXES: On Paul Greengrass and Matt Damon’s action thriller set in Iraq

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      • Reading Room: Sore Winners, Information as Repression, and the Joys of Freestyle

        10 Nov 2010 by Paul M Davis

        Welcome to a new weekly feature on Is Greater Than, a roundup of interesting items I’ve come across over the past few days:

        “The Tea Party, in this sense, is not a new development so much as it is part of an ongoing migration of the perpetually petulant, a political phenomenon grounded in a demographic one: the creation of a class of baby-boom retirees who have been deprived of meaningful work but given personal computers as Christmas presents.” – Tom Junod on the Tea Party as Sore Winners

        Grain Edit features typographically-minded poster artist Jon Contino

        “Myself, I’m inclined to think that if they prove to be right, what will really be proven will be something very sad; and not about Singapore, but about our species. They will have proven it possible to flourish through the active repression of free expression. They will have proven that information does not necessarily want to be free.” – A fascinating William Gibson piece from ’94 about Singapore’s repressive IT state

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      • Just Another Dopamine Squirt: Texting, Facebook, and the New Communication

        09 Nov 2010 by Leilani Clark

        MOONY HABITATIONS BY LEILANI CLARK: When you’re better friends online rather than off

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      • Meat Men

        08 Nov 2010 by Lynette D'Amico

        THE SCHEME OF SPACES BY LYNETTE D’AMICO: Chicago’s meatpacking legacy, from red meat to dead meat in one minute

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      • Typography and Baseball

        05 Nov 2010 by Cat Johnson

        A FINE LINE BY CAT JOHNSON: The history of baseball uniforms is also a tale of typography

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      • The Aura of Art

        01 Nov 2010 by Laura M. Browning

        ART CAN’T HURT YOU BY LAURA M. BROWNING: British sculptor Rebecca Warren’s work straddles the line between abstract and figurative

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      • 2007-2011

        After four years, Is Greater Than has ceased publishing. Thank you for reading and your support over the years.

        View the full archives, or browse by month, category or search below. View a full list of our contributors with links to their archive pages on the about page.

        Keep up with publisher Paul M. Davis on his personal site and his blog.

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      • COLUMNS

        • Art Can't Hurt You by Laura M. Browning
        • Moony Habitations by Leilani Clark
        • The Scheme of Spaces by Lynette D'Amico
        • A Fine Line by Cat Johnson
        • Records By Their Covers by Levi Fuller
        • Simplicities by Janina Larenas
        • Pressing Issues by Laura Pearson
        • 42 Frames by R. John Xerxes
        • Last Evenings on Earth by Michael Zapata

Copyright 2011 Is Greater Than.

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