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      • There Will Definitely Be Blood: The Best Vampire Movie You May Ever See

        31 Aug 2011 by R. John Xerxes

        STAKE LAND (2010)

        “In a world where America falls to vampires, two hunters stand between chaos and justice – that world is STAKE LAND.” Or one can image some such 1980s dramatic voice over before the exciting montage of speeding cars, tiger roaring vampires, blood squirting out from flame flickering shadow, the silhouette hip grinding of a dancing girl, then the screeching tire shot gun blast echoing in the empty, snow falling woods.

        And none of those quick flash images would be wrong, since many of them are in the movie. But what that would fail to portray is the true horrific atmosphere STAKE LAND manages to scrape off the sides of the zombiepocalypse vampire diary sarcophagus.

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      • 42 Frames: Restrepo

        10 Feb 2011 by R. John Xerxes

        BY R. JOHN XERXES: Restrepo, a perfect example of the banality of hallowed film tropes

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      • True Gritty

        24 Jan 2011 by R. John Xerxes

        42 FRAMES BY R. JOHN XERXES: In True Grit, the Coen Brothers revel in the rich language of the old west

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      • 42 Frames: Four Lions

        17 Dec 2010 by R. John Xerxes

        BY R. JOHN XERXES: A terrorist comedy fails on its own terms

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      • The Green Zone: Kung Fu and WMD’s

        11 Nov 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R.JOHN XERXES: On Paul Greengrass and Matt Damon’s action thriller set in Iraq

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      • Revisiting The Jerk

        16 Sep 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R. JOHN XERXES: Rediscovering the early-model absurdist Steve Martin

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      • American Splendor

        15 Jul 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R. JOHN XERXES: Remembering Harvey Pekar, warts and all

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      • True Ayn Randian Fashion: Tony Stark and Iron Man II

        17 Jun 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R. JOHN XERXES: Iron Man is one of the more problematic Marvel superheroes

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      • I’ll Have Mine Aldente

        20 May 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R.JOHN XERXES: A glimpse into the deviant world of Italian cannibal films

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      • Breaking Up With Movies

        27 Apr 2010 by Leland Cheuk

        A COLUMN BY LELAND CHEUK: When a life-long love of movies sours

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      • Just Like Jesus, Zombie Movies Rise Again

        15 Apr 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R. JOHN XERXES: Pitting Dead Snow versus Zombieland

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      • The Cliché Locker

        18 Mar 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R. JOHN XERXES: The colonial undercurrents to last year’s most celebrated film

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      • Critique at the Grindhouse

        18 Feb 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R.JOHN XERXES: Lamberto Bava’s 1985 film DEMONS is a heavy-handed treatise on the allegedly-corrupting power of horror movies

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      • The Blind Dead Quartet

        26 Jan 2010 by R. John Xerxes

        PRETENTIOUS MACHO THEATER BY R.JOHN XERXES: A look at Spanish director Amando de Ossorio’s classic undead horror films

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      • Conspicuous Consumption

        12 Jan 2010 by Paul M Davis

        VALUE ADDED BY PAUL M. DAVIS: A roundup of culture of note, including the Tank Riot podcast, Wormwood, Nevada, For All Mankind, and Sleigh Bells

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      • Sita Sings Our Tune

        18 Nov 2008 by Erica Ellen Phillips

        Nina Paley’s animated feature crosses cultures and ages to recount the timeless story of getting dumped

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      • Mermaid in the City

        10 Nov 2008 by Erica Ellen Phillips

        In Anna Melikyan’s “Mermaid”, an un-curtained Moscow and its newest youthful inhabitant mesmerize

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      • The Enduring Appeal of Fight Club

        26 Sep 2008 by Kira Wisniewski

        What we talk about when we don’t talk about Fight Club

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      • All I Ever Wanted To Be Was a Mariachi

        08 Sep 2008 by Eric Grubbs

        Finding DIY inspiration in Robert Rodriguez’s unlikely rise to success

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      • Hollywood’s Forbidden, Regressive Kingdom

        30 Apr 2008 by Leland Cheuk

        Why does Hollywood insist on casting white actors at the center of Asian-American films?

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      • 2007-2011

        After four years, Is Greater Than has ceased publishing. Thank you for reading and your support over the years.

        View the full archives, or browse by month, category or search below. View a full list of our contributors with links to their archive pages on the about page.

        Keep up with publisher Paul M. Davis on his personal site and his blog.

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      • COLUMNS

        • Art Can't Hurt You by Laura M. Browning
        • Moony Habitations by Leilani Clark
        • The Scheme of Spaces by Lynette D'Amico
        • A Fine Line by Cat Johnson
        • Records By Their Covers by Levi Fuller
        • Simplicities by Janina Larenas
        • Pressing Issues by Laura Pearson
        • 42 Frames by R. John Xerxes
        • Last Evenings on Earth by Michael Zapata

Copyright 2011 Is Greater Than.

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